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The adoration madonna and child with two angels antonio pollaiuolo, battle of ten nudesor (battle of nude men) paolo uccello, battle of san romano leon battista alberti alberti's revolution in painting palazzo rucellai Two shields, one face up, one face down, are lying on. Another interpretation suggests that the ten nude figures locked in combat may be gladiators fighting in funeral games, and the print itself may have commemorated the death of a prominent florentine

Battle of the Nudes by Antonio del Pollaiuolo (Italian, 1431/32–1498

Pollaiuolo's apparent interest is to describe the human body in a state of action, in varied poses, and from different angles. Bows and arrows, swords, daggers, axes and a heavy chain This engraving is one of the earliest renaissance prints to portray the nude male body in action

Antonio del pollaiuolo's grimacing warriors appear like clones in different poses

The print may have functioned as a model for workshop apprentices studying human anatomy while learning to draw However, the artist's latin signature suggests it also had an audience educated in literature The cleveland museum of art, 2002, no An authentic icon in the history of engraving, this is one of the most famous of the many images reproduced using the new printing methods of the early renaissance, and the first work to be clearly signed by its maker.

Born in florence about 1431, he received his initial training as a goldsmith According to tradition, he worked as an assistant to lorenzo ghiberti on the gates of paradise for the baptistery in florence Battle of the nudes was one of the largest. Florentine goldsmith, painter and sculptor antonio pollaiulo made only one print during his career, which was intended to showcase his skills

For his subject, he chose a fierce battle, in which he portrayed combatants in various poses

The central two swordsmen are mirror images, as if representing the same sculpted figure simultaneously from different sides The result is one of the most. Antonio del pollaiuolo's image of ten naked men battling is an icon of italian renaissance printmaking, and the yale university art gallery's impression is one of the best in america A variety of weapons are depicted